When switching to the OG mode, you are activating the exact circuitry of my 1979 V1 Fringe Logo model, including the accurate Tone control rotation and taper. From a circuitry standpoint, the V1 and V2 Big Box models are practically identical except that the V1's Tone control increases treble as you turn clockwise while the V2's Filter control decreases treble in that direction. The V1 also has small silver capped knobs and a Tone knob instead of the more familiar and later produced V2 Filter control labelling. This era of roughly four years covers what is referred to historically as the V1 models.Įarly V1s are also known as the Fringe Logo model and can be identified by the letters R-A-T being in all capital letters with a slight fringe graphic coming from the typeface. The OG mode is a perfect recreation of the first production RATs ever made. When you put it that way, this pedal sounds pretty reasonable. If you purchased these nine hard-to-find pedals on the used market right now, you would pay around £4,000. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead.īuilding on JHS' Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. The PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar's sound. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history. They wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. They wanted something that didn't exist in the mainstream product lines like MXR, DOD and BOSS. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI: the Proco RAT.
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